Lisbon, Portugal
You studied photography, so it seems you decided to
work as a photographer at an early age. What influenced you to make that
decision?
Yes, I
thought about becoming a photographer at a very early age. This was because of
several reasons. But the main reason was that I simply wanted to be able to
combine my huge passion for photography with a ‘proper’ job that I could actually
have in the future. This made me decide to study photography.
Had you been active as a photographer before starting to
study it?
Yes, I
was very active and used to shoot pictures a lot. However, I still did not have
a clear-cut direction of what I wanted to do. Most of the time I was
photographing my friends and everything we'd be doing at that time.
In how far would you say has your work changed since
then?
It has
changed a lot! It started with photographing my friends, and then there was a
period when I wanted to be the next James Nachtwey… Of course I did not really
know what I was thinking. Now I try to orientate myself and find ‘my own space’
in photography.
What made you become more interested in conceptual
photography?
For
some time now I’ve been thinking differently about photography. By engaging in conceptual
photography I mainly try to show a little more of what I feel rather than what
I actually see. Therefore, I have worked less on documentary and more on personal
projects. I guess that this is what I need right now. This is not to say that I
have given up on other kinds of photography, I do have one or two ideas for
other projects.
In the set here, we can see pictures from your
projects "Can You Predict Spring?" and "The Cubans". How
did these projects come into being?
The
two projects have two similarities: One is that they were both born out of
curiosity. The other is that they were both shot during vacations with my wife.
But I guess the similarities end here. Cuba had always been a destination that
I wanted to visit because of all that it represents now and for what the
country has represented in recent history. I wanted to see what the daily life
looked like on an island, which practically is isolated from its neighbours. In
this sense I had ‘a plan’ of what I wanted to do and see there. In the end, I
loved it there and would love to go back there soon. The vacation in Tunisia, on
the other hand, was different. I had not put together a ‘plan’ for the trip, I
had booked a holiday tour that would take me everywhere without any worries. I
just wanted to rest. It’s interesting that, at the end of the day, the things
that I saw and the ‘reality’ I was confronted with urged me to shoot pictures.
Therefore, it really was a very different experience.
What do you like most about documentary photography?
What I
like most undoubtedly in documentary photography is being able to work on specific
topics. For instance I can address topics that worry me. A good example for
this is the project “Shelter”: Because one thing that really bothers me is the
abandonment of animals. Thus I decided to work on this series. It addresses the
topic from my point of view. This is actually how I usually work, by the way.
How can one stay 'invisible' when photographing people
on, say, the street?
It's
complicated, and in my opinion, it will become increasingly difficult. I
confess that I sometimes have a hard time being unnoticed. I have to buy a
smaller camera; I think that will help doing street photography.
Most of your conceptual projects as shot in black and
white. Is there a specific reason for this?
I love
black and white. From an early age on I preferred to shoot in black and white.
Personally, I think that my projects gain intensity, and some amount of ‘drama’
and some ‘mystery’, if you will. I would not be able to achieve this result by
shooting in colour. Therefore, I think that, for now, most of my next projects
will be in black and white.
What kind of work do you mostly do as a freelance
photographer? How does it differ from your personal projects?
As a
freelancer I really do any kind of photographic work. In Portugal, there is little
work for photographers: we have to take what we get. Of course, I will not
agree to everything, or take work offers that I don’t like, just for the money.
But until now, I've done work for various companies, advertising, baptisms etc.
In the end, I still do prefer my personal projects.
Is there any project you're working on right now and
would like to share?
I
continue to work on "Awake", which is a project that I have planned
out thoroughly and for which I still need a lot of time. There’s a lot of work
to be done in order to finish it.
Also, I
recently wrapped up a project called "River". It will be soon on my website,
in case you would like to take a look!
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