Showing posts with label Spain. Show all posts
Showing posts with label Spain. Show all posts

Monday, 13 July 2015

Häre Christian







Barcelona, Spain



 


 


 


 




 





  

  
 




 


 




 





  


 


 




   



 


 


 







Where are you living right now? 

In Barcelona, Spain.


How would you describe your everyday life?

Waiting for the weekend, the next escape-trip and the annual holidays. Day-to-day life feels a lot like a continuous preparation or pause for what is to come. I work in front of a computer screen Monday-Friday, so in the evenings I need to get some exercise. I used to skateboard a lot, but now I run instead and do other stuff.


Are you traveling this summer? How do you choose your destinations?

Yes! We're going to Scandinavia again this year. Last year my girlfriend and I camped throughout Finland and travelled over to Sweden in the North, Lappland, and we were blown away. So this year we're going back in August for a hiking trip up there, around Kungsleden (King's Trail). After that we're going to Island for the first time. So another couple of weeks of sleeping in a tent this year!


In photography, do you think we capture the art in and of life, or rather produce art by highlighting things and situations? 

I don't know anything about art or photography. I guess art is what people try to produce and life and nature are just life, the world, whatever people and animals and nature do and whatever goes on, because it has no own intention of becoming art. It is just what it is and what goes on and it's all science or nature. If you capture that, then your photograph could most likely be considered art; probably at least by yourself or by whoever chooses to see it that way. It could also be nothing. But then again, I don't know anything about art. 


Which camera(s) are you using the most recently? Do you have a favourite camera?

I've been trying out a Nikon FM that I got recently, but I still prefer my Yashica T4; the lens and its convenience is just great.


Do you like/use Instagram?

Yes, I use it mostly as distraction from work: It can make time go faster sometimes and occasionally you see something interesting. As all of social media, it can be a good way of interacting with many of your friends that you don't get to see often. So, yes, in that sense I like it. In a bunch of other perspectives I don't like it. But, I mean, you can pretty much customize your deal so you can decide on your own experience and it's up to you. 


Do you organize your photographic work in a specific manner? Do you digitize everything?

Yes, I get my photos scanned and just keep them in chronological order, naming rolls after location. That way I know when and where they were taken. No big secrets. Maybe this reflects a need for self-documentation, which is quite a big issue these days.


If you think back, which is among your favourite life periods? Or do you prefer to not indulge into nostalgia?

One of the dearest memories I have is being on summer holidays with my family at my grandparents', on the island where my grandfather was from. We would go out fishing early in the morning, get a ride on his moped on these summer days, maybe have an ice cream later, and my grandmother would make redcurrant and strawberry cordial. I think that is the one, my most precious memory, just being on that island and around the house. It's still the place I keep dearest.
I think I get instant nostalgia these days, too, since time is going by so fast. The magical moments last a second or a few minutes, then they are gone, and just realizing this is heart breaking, really. Maybe we give too much importance to them, and now that we can, we feel we must document them all. I don't know what is best or what is right. It's beautiful to be able to look back on something, whether it's tangible or a memory. These feelings are all being augmented by companies and people, in order to make us buy more stuff, too, of course. That doesn't make them neither right or wrong, though, nor does it mean documenting is wrong or anything. But maybe it's good to reflect over what we are doing, why we're doing it, because of whom and for whom. This is of course related to the issue of Instagram and other forms of display and people like me, who take photos and put them on the internet.
I mean, why do I document things and apparently give them importance and share them with whoever sees them? What's important about who I am and what I do? Why are my photos different from anyone else's? Why is an analogue or digital or whatever camera and its level of complexity and difficulty any different from the next and why should that make anything more or less worthy of documentation, or display, or purchase? And time, frequency, consistency and intention of elaboration, do they matter? Why does the person behind the camera, her personality and her portrayal of herself matter? Can a photograph stand for itself or does it need a context, be it visual, conceptual, fabricated or by accident or authentic? What's of value here and why do we like a photograph or a series of pictures, is it because what's on display, or is it more about how it is displayed, or how the person and her life behind the camera are displayed or imagined?
Going back to favourite life periods; I also like the time period I'm in now, in the sense that my girlfriend and I both like to get away on weekends and do excursions and short trips all around. Even if it is simply going to her mother's, out of town. I like that a lot. 


Which dish is your specialty?

Salads. I make decent salads. :)


And is there anything you are positively obsessed with right now?

I don't know if it is completely positive only, but yes, I'm obsessed with the idea of going hiking and that we are actually going to Lappland to hike this year. Those five short days have been completely occupying my mind and my life for months on end now. It'll be great and it's a healthy and good thing to do in many respects. I'm also thinking about the training, and the beautiful places we've been going to until now. Then again - maybe it's not so positive if five days are to make up for a whole year of your life and the preparations and expectations for them are to substitute other stuff. One other good thing about it is that it's so beautiful up there, and so physically demanding that you are finally in a place where you simply are, without anything else. That's what I think anyway. I think that's what many seek for, or at least think they seek for. It appears to have a deeper meaning, even if nothing does: You anticipate the nothingness and the sense of simply 'being', or in this case, of walking. In any case -  and with all that I've said - I'm looking forward to it a lot! :)



Saturday, 24 November 2012

Lucas Ottone








Barcelona, Spain

























You're based in in Barcelona, and also work in Mallorca. Which city do you like  better for going out and shooting street photography?

As Barcelona is way bigger than Palma, I feel it more interesting to shoot urban pictures there. Barcelona is a city that changes quickly and it also has many neighbourhoods that are very different from each other. You can easily go from a rich and boring zone to a bohemian and inspiring street where lots of new things happen every day.


How are the times right now for a photographer in Spain?

Maybe I'm not the right person to answer that, but I will give a little opinion about what I think.

I think it's not about the talent that you have as a photographer here; it’s about your talent to spread your work. Some people may say this happens everywhere, but here, it's an ever-present issue since the art community is smaller than in other countries. In Spain, even if you have great talent, you cannot be "found" unless you make yourself recognizable. I know many gifted artists whose projects remain ignored, and tons of shitty photographers whose boring pictures are exposed because their father/uncle/fiancé has got some contacts. In Mallorca - and this is really true - you will find the same artists in every single exhibition. But I guess that this is a thing that we must learn to live with. The only solution to this dilemma that seems to work is to sell us a little bit and to not be ashamed about being such a pest sometimes.


Next to landscapes and people, what inspires you currently the most?

My pictures usually build a personal diary. I understand them as a way to remember things that have happened to me in the past. To me, they are surrounded by a kind of nostalgia. Any theme that can be related to that feeling will inspire me. I could say I take pictures in order to remember.


Would you say that a good photographer could take a good picture of almost anything? Or is this just a fairy tail?

I have no idea how to answer this question. I guess that if you love what you picture in your head, it will be well portrayed.


During your time in New York, was there something that surprised you about the city?

A curious thing happened to me when I was in New York. It's a city you see lots of times in movies or pictures, so you sort of already have an idea of how it will look like before going there. The thing is that when you get there, and see the streets and skyscrapers you've seen before, a strange feeling of belonging develops. The city looks familiar and new at the same time. At least that’s how I felt when I visited the city.


Why did you name two of your sets "Days of heaven" and "Days of Earth"?

Both sets represent different moments in my life during the last two years, 2011 and 2012 correspondingly. They serve to show two different ways to enjoy life, but at the end, if you compare them both, you see there isn't so much difference between them after all. In other words, "Heaven" and "Earth" become the same in the end. To me, these are sets of happiness.


Do you like artists' collaborations?

Yes, but only between different fields of art. I've worked with a painter (Juan Oliver) and a collage artist (Amadeo Orellana), but never with another photographer. Also, I think that we should consider models as artists as well; many muses have provided me with great ideas.


Do you ever find yourself criticizing or analysing pictures in newspapers?

If it's well paid, yes.


In contemporary media, what would you say has more effect: pictures or words?

Although I'm a bit better with the first ones, I think words get stuck in our heads better than pictures. For instance, I would say that music is far above pictures and words in that respect. Contemporary media, specially advertising, is exploring more than ever the power of music. It can evoke almost everything.


If a friend started engaging in photography and asked you for help, what would be the first thing you would advice him or her to do?

Firstly, I would advice not to do any course or degree in photography. At least in Spain, most of them are pure bullshit, at least in my eyes. Photography, like so many arts, is a thing you must learn by yourself.

Secondly, and this is a piece of advice a good fellow and photographer told me once, you should take only pictures that represent you, especially when you're starting to engage in photography. If you start by doing live music reports, for example, you will be called again to do live music reports. The question here is, would you love to be known for doing this type of picture? Because in the end, you are what you do.





Not mincing matters. Take a look at his work!