Thursday, 8 November 2012

milkwithtea magazine











A magazine by milkwithtea? 

Some of you might remember that plan, which was supposed to result in a zine this past summer... but didn't. Not yet at least. Let me blame it all on the fancy little detail - or prejudice? - that delays seem to be very en vogue in the publishing business. This is no excuse, of course. 

But that zine really is just waiting to be published. At the same time, I would love to use this extra time that this process will take, to include more artists into the very first photo zine by milkwithtea. 

Are you interested? Then send in 1-3 pictures to milkwithteathirdyear@gmail.com along with your contact details. 


Looking forward to your submissions!





ps. Those who have submitted and to whom I have replied already, you will be included in the zine, of course. In case I did not get back to you I will do that soon.





Saturday, 3 November 2012

Holly Kerchner








Montana - Florida

























In the description of your work "Free Life" you write that it is about living life "victoriously". What do you mean by this?

Living life victoriously means finding what you're looking for. It doesn't refer to satisfaction exactly, but the knowledge that you're making progress - that you're a step closer. In my case it means getting a glimpse of true freedom, which is the simplest term I can use to describe what I am seeking in this world. It has a lot to do with courage and adventure, but to me it’s even more than that. For me it's about finding ways to be courageous and adventurous on an otherwise ordinary, daily level.


You chose to shoot most pictures of this series in black/white. Is there a specific reason for this?

When I began shooting this last summer, I was dead-set on concentrating on emotion in my project. Although beauty and creativity are also vital, emotion was my main focus: I wanted it to be something tangible within each photograph. I believe that black and white is the best for this, because it takes away the distraction of hues and saturation. Instead it brings out the play of light on a subject, which has always elicited more of an intuitive reaction, at least in my experience. But just to add, when I say ‘distraction’ I don't mean that in a derogatory way, I am in love with colour! It just wasn’t part of how I laid out my photography projects until now.


You're located in Florida. How does living there inspire you for your photographic work?

That's tough to answer, because I don't shoot in Florida very much. Mountains and wilderness inspire me more than anything, and that makes it quite tough for me to spend the majority of my year here in the South. I'm learning to make the best of my situation. I'm learning that I have to find beauty no matter where I am, even if it takes more work sometimes. I do love the salt marshes and marine wildlife here, and I hope to explore around a lot more to get a taste of that. I also love the Southern culture, and that is definitely one thing that inspires my work, even if I haven't sufficiently captured it yet.


Do you intend to pursue or are you currently enrolled in courses related to photography or visual arts in college as well?

I would love to take classes in photography, especially because I have never had the opportunity to work in a darkroom, which is my absolute dream. However, I am still at a point where I am too chained by practicality to sign up for them, but I hope to wriggle free a little bit in the future and to delve into at least one or two classes, because I expect that to be an incredible experience.


What do you cherish most about shooting in nature?

The thing I love most about the outdoors is watching other people enjoy it. I love capturing others' experiences in nature because the art of appreciation is one of those liberating aspects that I mean when I talk about freedom. I like to shoot self-portraits in nature because that's where I feel most at home, and I like to see that reflected in a solid image that will remind and comfort me when I'm stuck in the city.


What are you working on currently?

I just bought a Mamiya 645 1000S and I am working on breaking it in! I am psyched to try out medium format, but I am a little intimidated because I am not sure where I want to go with it. Besides that I am mustering up the courage to ask my barely-familiar classmates and neighbours to let me photograph them, and I am focusing on developing the self-discipline to shoot as much during the school year as I did this summer. My work will definitely be different in this extremely different environment.


What or who has been inspiring you most lately?

Over the summer I found this book, Photo Trouvée (put out by Phaidon), at a library bookstore, and became completely mesmerized by it. The book features anonymous amateur 35mm film, which is absolutely my favourite breed of photograph. That's definitely a constant inspiration. Besides that I'm inspired to be around so many artists and talented young people now that I am at college, it's very encouraging. Of course I am always finding artists on tumblr and flickr who blow me away, the most recent name that comes to mind is Lisa Smit: her work is beautiful.


Why did you choose to concentrate on analogue photography?

To me, there is nothing in the world that can match the beauty of analogue photography; just the feel of it, the textures, grain and colours. I think that film photographs are more authentic than any art form I've ever encountered. Even the light leaks feel honest, even though, unlike many people, they usually bother me. Besides the images themselves, the process of shooting analogue is a thrill like no other. Film photography provides an opportunity to enjoy two dimensions of photography: shooting and seeing. When you shoot a photograph without seeing it instantaneously, it gives your imagination more room, to see it in your head first and foremost. And that mental image is, at least to me in a lot of ways, just as important as the real thing.


Do you have any set aims or guidelines for your work?

Consistency. Shooting often and more creatively, but staying focused on using my photographs to communicate, not just to please the eye. I should probably set loftier goals than that, but right now I am just trying to get back into shooting regularly. Also, collaborating is something I would like to try!


Summer's over, what do you think will you miss most?

Oh, man, there is nothing I won't miss about summer: traveling, meeting people, spending hours wandering around on my bike or in the woods. I had so much time to think and write and photograph. But it was pretty lonely! The month I spent on the Port Orchard peninsula near Seattle, WA, my parents were the only people that I knew in the whole area. It was a really good opportunity to work on self-portraits, and I produced a lot of work I am really proud of, but it was pretty sad after it got dark every night and I would sit on my couch eating corn chips and watching Frasier for hours in a practically empty house... And of course, the other half of my summer I returned to my home in Montana, where there are endless bonfires, folk music jammin', hiking, and just living the dream. I can't wait to go back!







Allow me to say that sometimes, it's not about our collected achievements, but about what we're setting out to do. Take a look at her work!






Saturday, 27 October 2012

Luca Massaccesi










currently Cambridge, UK



























What intrigues you most about the interaction between landscapes or surroundings and people?

I always loved peaceful places where nothing is “polluted” by the human touch. Also, I really hope that photographing this ‘freedom’ can explain my personal desire for freedom. Pursuing photography I discovered that you can’t understand any place if you don’t have a look at all the things, people or whatever that makes this place alive, as well. What I am trying to do is to present and explain all these mixed compositions that I find.


What do you want to catch in this context and how do you go about doing it most of the times?

I try to catch that moment, that one feeling, which seems to explain everything and with which things appear to be easier and simpler. I think that images have the power to explain a bit of what you’re feeling inside. I don’t really reach this goal every time, and perhaps I never reach it.


What was the collaboration with your brother about?

It’s an artistic collaboration, which began many years ago. My brother is my twin brother and even though we piss each other off most of the times, we still have a strangely strong bond. Our collaboration started with our Brand D’ANDY: we were involved in designing t-shirts and clothes after high school.  Later we changed our focus and now we use this brand just for photography works - especially wedding photography. Maybe I should explain my passion for the arts and the importance of collaboration with my brother a little bit more: I had always been interested in taking pictures and in video making. When I was little, I had been shooting pictures with an old Minolta. It was when I was 18, that I got my first digital camera and that I re-discovered my old enthusiasm for photography thanks to my brother. It's a passion that moves me to document this amazing world and makes me feel very comfortable.


What do you enjoy most about working with your brother?

It means that I can work together with a graduate student for art direction and photography at the ISIA (Italy) and at ECAL of Lausanne every day. In this context all assistance has come to be a new experience for me to improve myself. I like to work in this ‘fancy’ job, but more than that, I like that I continuously learn something new. I honestly have to say: I’m very lucky to be in this position. And just at the side, I think they do an amazing job and they really deserve the attention that they’re starting to get. And I really am not just saying this to support my brother.


You recently moved back to the UK?

After a year far from the UK I got back here at the beginning of October. This time I am in Cambridge to pursue a project parallel to my university studies. It’s not a coincidence, because I always choose my destination with paying particular attention to my interests in photography. For around 6 months I will use my day off from work to develop some new projects and to finish others that I had started in 2011.


What are your working on currently?

I never work on one single project, because I don’t like to be static and to lock my mind with a specific point of view.  Last summer I started a huge project about isolation and rural life and I want to concentrate on some ancient villages in my country. The project is still on fire and I guess it will a major interest of mine for a long time. I’ll let you know about it in the future. Here in the UK I’m finishing some works that I had started in  2011. They are about video making, so I’m ‘sailing out’ to learn more about the for me yet ‘undiscovered lands’ of short movies. I’m at the second stage of the series “with you”, which you can see on my YouTube channel. And besides such bigger projects, I try to do some good blogging everyday.


Have you had moments where you regretted or doubted your choice of having picked up the profession of a photographer?

I have never had moments of doubt about picking up this road, because in my opinion, I have never really ‘pursued’ it seriously as a profession. Yes, sometimes I have had regrets, but they were not about photography, but rather about other choices I made in my life. To me, photography and visual arts are just my personal way to show the world what I see. I don’t consider myself a photographer, I take some good pictures sometimes.


How many language do you speak?

Well, Italian is my mother tongue. When I’m satisfied with my English, I’ll might start to learn another language.


How many important is for you to interact and exchange with other artists?

I wouldn’t say it’s important, I would argue that it’s essential. Exchange is necessary: reading, watching and chatting about everybody with everybody. It’s the only way to discover something new. It’s vital for my work, because I take pictures not just because I fancy doing that, but because I really like to discover new things and ideas. And it doesn’t matter if the people or artists you exchange with or talk about are popular or not.


Where do you see yourself in 5 years, on a Saturday afternoon?

I really don’t know. Thinking about the future is not so easy, especially not in this period. But well, winter is approaching, so hopefully I’ll be spending my Saturday afternoon 5 years from now on a ski track taking pictures of my son while teaching him skiing very well at the same time!








Documenting and exchanging about it. Take a look at his work!






Saturday, 20 October 2012

Huy Le










Melbourne, Australia























What or who led you to photography?

My father - before he had my siblings and me, he undertook some photography classes and would use my mum as his 'model' for his portraiture projects. It was only when I started high school that I found some boxes filled with slides and negatives from these shoots: photographs of my mother, the various parks/streets in the area they lived in, etc. ... It made me sad to think what could have happened had he pursued being a photographer. It’s a shame, because I feel like he sort of had to give up on it once he started a family. In a strange way, I want to keep his passion alive through my own photography.
With that said, I had always liked taking photos as a kid (with a electronic compact camera) but it reached a point where I was annoyed with having prints with the date burnt onto the image. So I asked my dad to teach me how to use his Nikon EM SLR and I haven't looked back since. It was a combination of both that cultivated my love for photography to this day: my dad’s influence and my love for making artwork or film posters on Photoshop during high school.


A lot of your pictures were taken on trips with friends. Does your photographic work simultaneously function as a way to document these?

Nostalgia - for better or worse - is one of the driving influences in my life and I feel taking photographs has been an effective way for me to not only document what’s going on in my life, but also to relive these moments in a strange way. I’ve always felt more comfortable shooting when I was out and about and not restricted to a confined space such as a studio. Cartier-Bresson’s concept of the ‘decisive moment’ is something I’ve always strived to achieve in my work and it’s the reason why I’ve always felt best when I was taking shots of my friends with gorgeous scenery as the backdrop.


What are your trips about?

To be honest, had you asked me this a few months back I wouldn’t have a clue on how to answer this question. This might come as a shock to those who know how much time I spend at a computer, but I’ve always enjoyed being outdoors and always liked going on road trips to check out nice parks and what not. It was only when we started going camping and more people started coming along that I realised what a great way it was to reconnect with old friends and to do something different from the messy drink-ups we usually have. Many of us had this feeling that 2012 would be a big year and it truly amazes me how much I've experienced and accomplished within the time-span of 9 months. Camping with friends, seeing new sights - it's really about making new memories to cherish in the future, I believe.


So nature is a big theme in your work. What fascinates you about the outdoors?

I like to think it's a combination of both elements that are everlasting and ephemeral at the same time. There's a sense of wonder when you travel through a forest with trees that are over 1000 years old, you begin to realise how much our lives can be minuscule compared to what nature has gone through over all those years. There's a Japanese term called 'mono no aware' which basically describes an awareness of all things impermanent and a gentle sadness at their passing. The changing colours of the autumn leaves, the beauty in seeing the cherry blossoms in bloom before they disappear - it's the beauty in knowing that not everything lasts forever. It's something that profoundly changed the way I saw the world and what feeds into my own photographic works, as well.
Furthermore, one of the things I look forward to on our trips is seeing the sun rise during the morning; sitting on top of a cliff with a cup of tea, music playing in the background - depending on how excited we are - and just seeing the colours of the sky change as the scenery around us becomes illuminated by the sun. Words simply cannot describe the whole experience. Simple experiences like watching the sun rise is something not many people get to experience or truly appreciate, although it's an event that occurs everyday. Clichéd as it may sound, sometimes you have to leave the comfort of your own home to truly appreciate the beauty that surrounds us.


If you were to name a muse or particular source of inspiration, who or what would it be?

In terms of a muse(s), I’d say my friends. We're all camwhores at heart, well most of us anyway, and it's a laugh when you see some people subconsciously start posing when they know a camera is around. It definitely applies to my mate Neil who has got to be one of the most photogenic guys I know, yet he also happens to be one of the most funniest and clueless guys at the same time. Generally I also like taking photos of my home life; my little brother used to be my model when he was a kid, but nowadays it's either my mum or the kids she babysits. Children in general are great photographic subjects; have a browse through Instagram and you'll see that some of the most heartfelt images are the ones that mother's have taken of their kids. Still, some of my favourite photographers tend to have girlfriends as their muses and I feel sometimes these intimate connections you have with others can result in some of the most emotive and beautiful photographs. Maybe one day that'll apply for me, too, I'm hopeful!
                                                                                                        
                                                                                                             
Do you make music playlists for your road trips? If so, who did you listen to on your latest adventure

I take pride in creating playlists for the road trips we go on, because let’s face it, driving can be a bore, so it’s good to have something to pump you up. One of the greatest joys I’ve experienced is seeing the excitement when my friends hear a song they haven’t heard in years and hearing the memories associated with it. The music we listened to growing up plays a great deal in shaping who we are and I can’t thank my parents enough for raising me on good old 80’s classics during my younger years.
            In terms of the last ‘planned’ road trip, which was our stargazing trip down the Great Ocean Road, my friend made a mix which had a combination of hip-hop, dance and 80’s power ballads. One songs that I hadn’t heard in a long time was Leo Sayer’s ‘More Than I Can Say’ which was a karaoke favourite of ours back when we were kids. But besides my mixes, I usually just tune into Smooth FM 91.5, which has got to be one of the best radio stations in Australia. Generally it plays everything that would appear on the Raye's Outdoors Mix (which I'm currently working on). There’s nothing better than singing along to cheesy love songs with your mate(s) whilst cruising around late at night!


What do you enjoy most about camping? Are there any downsides?

For one, I think that the feeling of being disconnected from technology and being able to reconnect with nature is something I feel very strongly about. A few days in the wilderness and I feel great not surfing on the Internet, but then again, if my Internet gets cut off for a day then I go crazy. It’s kind of sad when you realise how dependent we are on technology. I believe  that you sometimes have to escape it all in order to really appreciate the finer things in life.
            With that being said, there are many downsides when it comes to camping. Sleeping on rocky ground has got to be the worst, even if you have a mat underneath. The weather in Melbourne is pretty ridiculous, so camping in the rain was not exactly the most pleasant of experiences. Running out of water, overpriced groceries, the list goes on! But the way I like to look at it is simple: it’s all a story to tell regardless of whether it’s good or bad. Because sometimes the epic fails we experience during our trips are some of the funniest stories to share with others afterwards.


You live in Melbourne. What would you advice a visitor staying one day to see in the city?

First off, avoid all touristy areas: Melbourne Central, Federation Square, etc. to name a few. Explore the alleyways and backstreets. Melbourne is renowned for having some great restaurants and stores but you have to go out and really look for these places. My checklist: have a picnic at Carlton Gardens, buy a few magazines from Magnation and have some 'after work' drinks at some fancy bar/restaurant. And this is just the CBD, there are so many other awesome places to check out in suburbs such as Brunswick, South Yarra and Yarraville, as well.


Where do you see yourself in 5 years?

Hopefully I’ll be doing something productive with my life! Honestly, I would like to see myself growing as a photographer and maybe working in the print industry. To be featured on Kinfolk magazine is a dream of mine, too.








Take a chance, make a trip, don't forget your camera. Take a look at his work!